Austrian artist Peter Zirbs has had a lot of incarnations over the years, and his latest, he feels, is most representative of who he is.
Having lost a feeling that he needed to pigeonhole his music, Zirbs has embraced more classical leanings, embarked on some collaborations including with former Archives man Craig Walker, and embarked on new EP ‘On A Beautiful Day’, which manages to be both quite dark in tone and occasionally euphoric. The perfect release, perhaps, for our times.
Single ‘Locked In’ is a particular stand out, exploring The Velvet Underground’s Nico’s period locked in an apartment, and feels oddly linked to today’s ‘stay at home’ world. I spoke to him about how things have changed, and his movement with the new record…
I think it’s fair to say your work under your own name is a far cry from some of your earlier stuff. Can you talk me through the musical evolution that got you to here?
I actually grew up with the duality of experimental/ synthesizer/ minimal music (Ph. Glass, M. Nyman, S. Reich, T. Riley, but also Yello, Art of Noise, Isao Tomita, Jean Michael Jarre etc) and on the other hand pop and rock music (big New Romantic and New Wave fan here! And also Disco from the 80ies) …
I’m a proper 80ies kid as I’m born 1971. So for me, there never was an “either/or” when it concerns musical styles. It’s not easy, but I try to bring both aspects into my music. I always loved experimental and artsy stuff, but you can find me on the dancefloor at 3am shakin’ it to a straight kick drum and a distorted 303 synth bassline, too. Sitting between the chairs for all my life basically!
How have you found your current incarnation differs from your work under other monikers earlier in your career, in terms of approach and feel?
Yes, it indeed does differ. I never had the courage to play my piano/ minimal/ instrumental stuff to other people, and it’s been my friends who encouraged me to do so. Until a few years ago, I thought that I have to fit into a stylistic drawer. The fantastic label Fabrique Records took it to a next level by almost physically forcing me to record my odd stuff (this was about three years ago), et voilà, a new Peter Zirbs was born … kind of.