As a member of the increasingly impressive Difussion Labs, but you could be forgiven for immediately associating Emiji with their glorious array of hip-hop acts. That’s not the case, at least not on latest release ‘My Journey’.
The Polish-born, Dublin-based artist has instead written an extremely mellow, trippy ode to his love of psychedelics, a pathway, he feels, to improved mental health adn well being. Blending his experiences with chill out meditation and yoga, Emiji is an advocate for how alternative routes can change your life. As well as his music, he’s also quite a serious drone photographer.
I caught up with Martin to uncover what he’s all about…
First of all, can you tell me a little bit about your musical background?
I am pretty much a self-taught pianist, who took time to practice and study music theory and composition in my free time. I’m also a producer, and a trained engineer. I come from hip-hop, funk, house and jazz background musically, although I love neoclassical, cinematic soundtracks and psychedelic music.
Diffusion Lab seem to be everywhere at the moment. How did the project come about for you?
It was around 2015-ish, when I met Ivan, I knew Chris for years, and DFL was only at the very beginning. When I came to Ireland, I called Chris to see what he was up to and he introduced me to Ivan and told me all about the plans for DFL. After a short talk, we started working together. It’s been a journey, definitely.
Is there a real collaborative feel behind the Diffusion Labs acts?
I believe collaboration has a lot of meanings in music and in general. I actually had to learn to communicate and collaborate, as I’m a bit of a “loner”. I feel that DFL is a collaborative project and artists do help each other and other artists, as much as they can. It’s a lot about the vibe in the studio, and writing songs together.
Tell me about your own project – what is the story behind it?
Martin Emiji (Or simply Emiji) is my “other”, more personal side, where I explore more neoclassical, ambient, textural, and cinematic music, and a bit of digital art and photography.
After years of working on so many different styles of music, I wanted to go in a totally different direction. I tried to compose some classical stuff around 2007-2008 but it wasn’t even close to ‘good’. I wanted to explore my deeper and darker side, more mellow and sad, but also the side that appreciates life more, after my first psychedelic experience. This kind of music seemed like the perfect fit for that.