Dublin icon Imelda May has always been prolific, and her current creative blend of heartfelt poetry and sparkling collaborative music – two things she largely keeps distinct – is no different. May’s determined to take the positives from lockdown, and while her current record dates back to some degree to what we’ll call ‘the before time’, it’s full of shining positivity, an ode to what she feels we currently need.
The Liberties-bred singer is still very much about fostering creativity, with a sweeping, experimental workflow that sees her explore time with various connections she meets along the way and connects with, as well as spending time exploring her own ‘wants’. In fact, she barely sees the whole process as work, the business aspect of it all aside. The latest record, ‘11 Past The Hour’, she feels is her best yet.
“If I could, I’d sit and write every day, if life didn’t get in the way, the business side of getting an album out,” she says. “Sitting and writing is something I love, it’s my time to wind down. But the poetry and songwriting are two different things for me.”
“I’m trying to make them the same, but poetry is something I find more liberating. I don’t have to think of a band, or time limits – length, and so on. I don’t have to construct a song, and arrangements. I just write and that’s it.”
“‘Solace’ [from the new record] is the only poem I’ve turned into a song. I’d been to see U2 in London with my friend Pedro Vito, and we had a stinking hangover the next day. We were supposed to write a song, which we did, and it was kind of rubbish.”
“I got some coffee, and when I came back, he was looking at my poetry book, which I’d left open, and he was working on the music for it. So ‘Solace’ was a poem that became a song, and not really changed at all. I think it’s one of my favourite songs on the album.”