Since writing and launching her debut, but especially since sophomore album ‘Love Tattoo’, the biggest selling record by any Irish female artist ever, Imelda May has been part of the folklore of a certain distinctive part of Dublin city.
The Liberties has its own special character, and Imelda, despite having moved to the south of England with her daughter, still holds the place in the highest of esteem. “My heart and soul is in The Liberties, and I’ll be coming back,” she tells us. “I wouldn’t be a musician or a writer if it wasn’t for being from there.”
“It’s so pervasive and colourful, a place where eccentricities are really encouraged. I used to put my demos in the fruit and veg store on Meath Street, and they’d make everyone who came in keep quiet and listen to them. You never forget that kind of support.”
“Poetry was everywhere, too. People have been asking me recently if I think poetry is elitist. It absolutely is not. My dad used to read me Spike Milligan. I have an uncle who was a taxi driver and a poet. Another guy did beautiful oil paintings and drove the delivery trucks, and my aunt used to dance. The place is so creative, it’s part of its spirit.” Some of May’s own work is used in support of the Penny Dinners in the area, with the poem ‘Liberty Belle’ a particular dedication.