AN ELECTRONIC artist originally from Galway but now based in Dublin, Elaine Mai has risen through the Irish music scene through her own nuanced output, but also through a series of clever, intricate collaborations.

From serving up the vocals on Le Galaxie’s wonderful ‘Love System’ to remixing Loah’s ‘Nothing’ in order to highlight the rising star’s soulful melodies, Mai has an ear for the clever twist, the arty repetition and the dancefloor-filling beat.

Her own output, she says, often revolves around themes, and the direction of her life at the time. “A couple of years ago I went through a really hard time,” she explains, “and that really informed my last EP.” The Colours Of The Night was a cathartic work centred on Mai’s experience of grief, and intensely moving with it.

With its thematic nature, though, Mai’s work is set, inevitably, to move on as she works towards releasing new music. Built on a clever use of looping that she reproduces live, and has learnt to subtly adapt as she plays, Mai’s new songs, only slowly emerging from production, will be centred on the concept of home.

“I’ll be putting out a couple of things this year, and then something bigger next year,” she said. “I went up to Donegal and borrowed a holiday cottage that I turned into a studio for a week to work on my music. It’s the first time I’ve ever done that, and it really worked well. The new tracks are all around home, but in the emotional sense, rather than the physical. I’m already playing some of it at my shows. It’s coming together.”

The regular remixes that have become a staple of Mai’s output, though, have become almost as important to the artist’s creative brand, as has a long-standing song-development and touring partnership with another well-known Galway dance act. Daithi, a former virtuoso fiddle prodigy who’s slowly adapted into a prolific dancefloor star, often has input on Mai’s work, and vice versa.