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Vulpynes: Bring the Punk, Bring the Noise

Punk two-piece Vulpynes are only three singles old, but already look a good bet for Dublin music’s next big thing. So what has the lairy pair making waves in London and Berlin?

DUBLINERS VULPYNES had an inauspicious start. Formed after drummer/ vocalist Kaz Millar placed an advert on Boards.ie looking to form a band (future partner in crime Maeve Molly McKernan was the first to reply), the post eventually resulted in a four-piece. They played only covers, and lasted mere days.

Millar and McKernan had felt something click, though, and after a brief search for a bassist, decided to start making original material, and to go it alone. Their sound takes much of its inspiration from the 90s. It’s raw, nodding distinctly to acts like Hole, Alice in Chains, L7 and Soundgarden. Riddled with reverb, abrasive and fearless, it comes from a band dynamic that was very much full speed ahead from the off.

“We started off really determined,” McKernan recalls. “We were just eager to play, and took any gig we were offered. It’s a mentality we’ve kind of continued with. We want to play live, and the more people see us, the more people know us. It’s a word of mouth thing. With the UK shows, we reached out to promoters the first time around, and since then we’ve been invited back to do shows. We’re going to Berlin this month, too, and back to the UK in 2018.”

While relatively underground at least for the uninitiated (it’s based largely around a small handful of labels and venues, though there are surprisingly numerous bands), Dublin has long had a powerful and close-knit punk scene, based around lairy nights out, an enticing community spirit and supportive culture.

“It’s a really friendly community of bands,” McKernan explains. “They really want to help each other out, and they love music. It’s that community where we feel at home, and we’ve found it so welcoming. Everyone’s so genuine, with a real community spirit with no backstabbing, and we love it.”

While they connected specifically in order to form the band, the stories of Millar and McKernan’s journeys with punk are surprisingly similar. McKernan’s mum introduced her to bands like L7 and Hole at a young age, and now shows her support for Vulpynes by drawing, producing stunning illustrations of the pair as skeletons, or foxes. Millar’s older sister channeled Nirvana and Alice in Chains into her life.

Paranoid Visions: Dublin’s original punks power on…

The fusion of Paranoid Visions with Steve Ignorant of their heroes Crass has the Dubliners fired up.

Paranoid Visions were punks almost before the concept even existing in Ireland. Breaking through in the early 80s, their early gigs were chaotic in nature; often descending into riots at stage front, with the band spat, demonised and in many cases banned from appearing in venues.

“We ended up playing ‘Battle of the Bands’ gigs just for somewhere to play,” guitarist Peter Jones recalls. “We’d be on between these acoustic guitar acts, and there’d be 80 punks there waiting for us to come on stage. All hell would break loose for the four songs we got to play, and then all our fans, who would be most of the audience, would just leave. Usually we’d come second, as they had to admit we’d had a lot of impact, but didn’t want to give the prize to us after we’d unleashed that kind of chaos.”

“I vividly remember a complaint going in at one of those competitions saying that we only rehearsed once a week, and shouldn’t be allowed to win. The man who said that is still involved in the Dublin music scene. He was right about the rehearsing to be honest.”

There’s plenty of water under the bridge since those days: Paranoid Visions broke up for a decade, reformed, went through an extended campaign of Bono-criticism (including the release of punk parody ‘I Will Wallow’), courted controversy by promoting an album with an image of Brian Cowen’s head aligned in gun sites, and wrote an entire album slamming what they saw as a parochial, Catholic church-led rot in the country.

They are, in short, not afraid to go hard against the political status quo in true punk fashion, with vocalist Declan Dachau famed for both the bluntness of his vocals, and harsh quips in which he espouses staunchly anti-nationalist, inclusive principles.