David Keenan is your quintessential live performer, so naturally lockdown has been hard on the Louth man, a character who mixes poetry and music in a style somewhat reminiscent of classic troubadours like Bob Dylan, focusing his tracks heavily on building an intense live show.
Like many of us, then, Keenan has spent part of lockdown reminiscing about what used to be. Specifically, he’s been looking back at his live efforts, and tying together years worth of tour films – clips dating back to when he started out promoting his work by sticking posters on city walls – with footage from his Olympia Theatre date earlier this year.
“The inability to express yourself live, and just to have contact with each other, it’s been hard,” Keenan tells me when I ask about how he’s spent his time in recent months.
“What I’ve made in the film is condensed from three years, from Rob Benson, including open mic lights at the start though to the Olympia Theatre. It’s about the positive impact that music brings to a life, and the musical community in Ireland.”
“It’s also about finding a tribe, self acceptance and realising a dream, which is what the Olympia show was for me. It was finding a band, kicking up some dust around Dublin, and the collective encouragement of my tribe, and facing fear face on.”
“I was on tour in March. All summer was obviously cancelled, but the film bookends the story of this chapter of my life. The passing of Gar Kane, by bandmate, features heavily in the film, and I’m still reeling from that. I think it will help to keep my spirit of live music alive, and the story shows the collective graft from everyone involved. There was no big management company or label or anything, it was just word of mouth. People helped me a lot along the way.”