Cork act Art Crimes Band are, it’s fair to say, atypical of the Irish music scene. A slow-building set up who’ve been on the live music scene for years, they draw influences from jazz and R&B, creating a complex six-piece fronted by the charmed vocals of Grace McMahon. The result is versatile, difficult to pin down, nodding to anything from Hall & Oates to John Legend alongside their jazzier influences. 2022 marks a comeback.
“It’s been amazing,” McMahon says of the return. “I didn’t realise how much I had missed performing live. The first gig back, I was full of nerves and worried if it would all go ok. I got on stage and the energy from the crowd was electric, and right at that moment all worries disappeared. It’s a feeling I will never forget.”
The band took a notable step forward after the lockdown by involving Abbey Road studios in their latest single, ‘Neon Skyline’, with one member of the band tracing some roots to the iconic London spot.
“After using different mastering engineers over the years we usually were not fully happy with the results,” Niall Dennehy says. “We loved the smooth warm sound from masters coming out of Abbey Road. My Uncle, who passed away about 20 years ago, worked as an engineer in Abbey Road in the 1950s when it was called EMI Studios. He taught me all the fundamentals of studio engineering growing up. So I think it’s fitting things come full circle and our tracks get an airing around the walls of Abbey Road.”
“‘Neon Skyline’ is the first track I wrote during Covid lockdowns, about three months in or so,” Stephen Kirby explains. “It is rough nights and long days, inspired by a trip to Vegas a few years ago. The chorus is about craving contact, positive or negative, just human interaction.”
“The lyrics are put through the filter (for lack of a less modern term) of the story ‘Bright Lights, Big City’ by Jay Mcinerney. Neon Skyline is lyrically about lost love, wild nights, harsh days, romance and pain. Musically, it’s about blending solid and static patterns with fluidity and movement to create a complimentary sonic landscape for the story.”