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AJ Wander

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AJ Wander: “music is an emotional crutch through tough times.”

Having grown up with music – the son of a pianist – AJ Wander was perhaps destined to develop from a household in South London surrounded by instrumentation, to a modern day pop artist.

Performing a kind of driving, emotionally-wraught pop that underwent a breakthrough in 2020, when the single ‘Time Out’ became by a distance his biggest hit, gathering in excess of four million Spotify plays. Post covid, AJ returns with new single ‘Take It All’. Around the launch, we talked about his career to date…

First of all, ‘Time Out’ has done really well – congrats. It’s obviously a hugely personal track. Have your feelings towards it evolved since you wrote it?

I feel pretty distant from the headspace I was in when I wrote the song. Having to accept that something beautiful has run its course is a pretty common place for humans to end up in. It’s a great feeling to know so many people have connected with the song because of this mutual experience.

Judging by the themes of the new single, you’re quite happy to put your emotional side out there. Is this how you connect with music?

Not exclusively, but music is an emotional crutch through tough times and it just so happens I relied on that crutch for the whilst writing the singles I’ve released up to now.

How did ‘When You Say I Love You’ come together, and what’s the story behind it?

I wrote ‘When You Say I love You’ with my mate Geth in Wales. WYSILY is about when someone falls for you too fast and you go along with it just because you don’t want to hurt them. Then finally realising that pretending to be in love isn’t a healthy solution…honesty is the best policy.

Is the contrast between an upbeat feel and some quite self-exploratory lyrics something of a calling card for you?

I think the contrast between sombre lyrical content and anthemic production is definitely something I’m unconsciously drawn towards. However, there’s lots of music on it’s way that’s far less self-explorative…

I understand there’s an EP on the way. What should we expect from it

There is indeed! This EP is going to be a bridge from the music I’ve been releasing up until now and what I will be releasing next. I’m stepping outside of my own head little.

AJ Wander: “The songs are quietly hopeful and speak frankly about navigating the emotional minefield that is relationships”

For most of us, 2020 has been a strange and ultimately perhaps a bit of a depressing year. With the pandemic hanging over us, there have been limited chances for creativity, fun or even career progression, and the world has felt loaded with tragedy.

For London-based songwriter AJ Wander, though, it might just have been the kick up the rear end he needed. Escaping a world of playing piano bars to make rent – that’s not an option anymore after all – he’s released his debut two singles instead, charming pop tracks full of emotion, entitled ‘Time Out’ and ‘Way We Walk’. Both are loaded with potential.

I caught up with AJ to reflect on a year crammed with change…

Congrats on what’s clearly been a very successful lockdown. How has all the contractual stuff come together for you?

Thank you! Itʼs definitely been a crazy time for me. I feel so lucky to have been able to take something positive from this year. I recorded a bunch of tracks with my friend and producer Brad Mair just before lockdown hit in March. I then sent out the tracks to a bunch of industry and subsequently spent much of lockdown in Zoom meetings.

At the end of summer I took on a great team that Iʼm so excited to be working with!

Can you tell me a little bit about what brought you to this point?

This has always been my dream situation…to be releasing music that means so much to me. Iʼve been singing for as long as I can remember, but the piano playing and writing kicked off for me when I was around 14. I joined a band called ʼTorsʼ whilst studying in Guildford in 2015. I spent an amazing few years with the band before leaving to pursue a solo career.

I must admit I got a little side-tracked after leaving the band and drifted into performing at piano bars and hotels in order to pay my rent. I spent two years playing covers for cash, whilst I was still writing during this time, I spent most days kicking myself for not putting my all into my own music.

Lockdown this year forced a shift in attention for me as gigging was no longer an option. I finally started focussing all of my attention onto my artist project which ultimately led me to the point I’m art now.