When Scouting For Girls emerged in the mid-00s, they weren’t quite the polished, manufactured-type boy band many quickly assumed. Having been playing together for years, the London three-piece’s smash breakthrough ‘She’s So Lovely’ was in fact the culmination of several different acts with similar personnel and years on the stage, going way back to 1995.
Their journey since has been an undulating one: huge hit shows in front of thousands, followed by a fading from chart popularity that left a massive cult following behind. That cult following is significant enough to have Roy Stride, Greg Churchouse and Peter Ellard releasing a blend of originals and cover music to this day, as they explore a career based heavily on a simple idea: make it a whole lot of fun.
“Our new album was an escape from lockdown, and a nostalgic look back to the past while everything else was falling apart,” Stride tells us on new record ‘Easy Cover’, which is predominantly a collection of 80s cover tracks. “It was also a response to having a studio booked and someone wasn’t able to come. I didn’t have any songs ready to go, so I started recording.”
“The actual idea came when we were traveling back from Dublin on a night time tour bus journey, and playing a Phil Collins live album, singing along to ‘Easy Lover’, and someone said it’d be great to do a load of 80s covers, so we did it. It went in a box of world’s worst ideas ever, until lockdown, and then we did something with it.”
“I tried to do a cool, synthy, Spotify friendly version of these covers, and I just put it back on the shelf. It ended up being fun instead. I think it’s classic Scouting For Girls, that when the 80s was quite cool ten years ago, we weren’t doing anything. Now it’s the 90s that are quite cool, and that’s our era, here we are releasing an album of 80s covers. We’re alway a decade behind the trend.”
The year off, naturally, has been strange all round and had plenty of impacts on musicians. “I reassessed my whole relationship with music,” Stride says. “It had got quite stale. I was writing for other bands I didn’t even like, or who weren’t very good. I’d lost a bit of the love and passion.”