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Secret Garden: An Instrumental Career Built On 90s Eurovision Stardom

Unquestionably Ireland’s most famous ever Eurovision took place in 1994. As well as an Irish win, through Paul Harrington and Charlie McGettigan’s ‘Rock N’ Rolls Kids’, a far more lasting legacy was established through the first-ever performance of Riverdance at The Point.

Because of the win, the contest returned to Dublin in 1995, a Eurovision long thought to have been deliberately lost by the home team, due to the cost of hosting the event the following year. In an odd twist, though the winner that year, Secret Garden, has substantial Irish links. Irish-Norwegian instrumental band Secret Garden (representing Norway) had met at the contest in 1994, and through their unusual (for Eurovision) haunting track ‘Nocturne’, brought a little Irish glory through violinist and Naas native Fionnula Sherry. The band have always lived apart, working together across two countries, with songwriter Rolf Løvland based back in Oslo.

Amazingly, 23 years after forming, and following Sherry’s spectacular recovery from two broken arms back in 2015, the pair are still going strong, and have just released the first ever version of their other big hit ‘You Raise Me Up’ to feature the vocals of Johnny Logan. Logan made the original recordings, only to be bumped in favour of Brian Kennedy on the single that was ultimately released, a point of some dispute with Logan that has finally been cleared up all these years later.

“It’s like a full circle being back,” Sherry says ahead of the pair’s Late Late Show performance just ahead of this year’s Eurovision Song Contest. “I’ve actually played in a lot of Eurovision’s with the orchestra, as we were having that nice run of wins at the time.”

“We connected in ’94, and thought maybe we could do something together,” Løvland recalls. “I had a lot of instrumental tunes I was working on. I started to send some songs over to Fionnuala, and that was the beginning of Secret Garden.”

“I don’t think there’s been another song like our since,” Sherry admits. “We juxtaposed the idea of instrumental and lyrics, the vocal part was the introduction to the song [Nocturne], and the outro. It was planned for the album, the development of Secret Garden. It was halfway produced, and then it was suggested we do something very different for Eurovision.”